The work has as its foundation the idea that the arrangement of signs on paper, the format of supports and non-definitive pagination generate a deep understanding of the poetic text and play with the reader-operator, as predicted by the french writer Stephane Mallarmé. Sounds that arise in the reading ritual, the expression aloud of texts or noises caused by the rubbing of fingers on sheets of paper are elements to be taken into account in (untitled), which may raise other formal perspectives to the poems and the construction of plural meanings to the book as a whole.